taking this enlarged image into paper collage:
resulted in two images -one which was of my own making which proved dark and indistinct but had areas of good colour and interesting forms:
the second was inspired by the collage work of Jiri Kolar –see earlier blog : https://bemilne.wordpress.com/2013/12/15/jiri-kolar-artrist-in-collage/
He is a German artist who I came across during a visit to Regensburg-who meticuously cut up pieces of paper to small squares and reformed them into images
the pieces of paper were stained(painted with ink) and then cut into small imperfect squares, each then individually stuck to the underlying paper. I love the colours and their combination but they remind me of gingham material (I happen to have a skirt in exactly the same colours in plaid like pattern) and Easter eggs! for some reason. I do not like the effect of the small squares which detract a feeling of depth-perhaps introducing more varied and darker colours I could have caught the shadows better. The background Newspaper was also insufficiently contrasting to give depth or drama so I reworked the paper with black ink with little advantage…
The second collage was loosely based on this image:
and was done with fabric on a prepared paper , overdrawn with ink and oil pastel, and incorporating some of the lace which had formed a background to the initial picture
Using this I drew another colourful image continuing the inspiration from Kandinsky and the tulips of Wardell Milan and the images of Jorge Queiroz (whose images “include human figures,…birds,fish,insects….buildings and bricks,stones and mountains,the sea and sky.” quote from Pg 2245 of the Vitamin D2 book): again the desire to incorporate a human element representing the past in my final image was stimulkated by Jorge Querioz’z drawings.
Image photographed from book “Vitamin D2 New Perspectives in Drawing 2013 ” pagePublished by Phaidon Press ISBN
Stages of the final image:
The final collage which I felt was a picture in itself also inspired by Kandinsky, was made by drawing and then collaging the drawings:
Collage frees the elements of a picture -I can move shapes and colours to reorganise the image, I can chose to have backgrounds or not and I can develop space by overlaying the pieces. I can observe the contrast or harmony of colours and shapes before they are committed to paper. This final image in the collage incorporates the seed pods of Honesty and Ash against an abstracted backrgound of dried leaves, the hands of neolithic men are abstracted to leaf forms and the seeds of new life dot about the image. I love its activity and colour and the meanings I have managed to incorporate. Because of the collaged pieces the images are very defined and I prefer them to blend with their background.
few smaller images made with collage: